Showing posts with label Australian Artist. Show all posts
Showing posts with label Australian Artist. Show all posts

Hannah Carlyle

Hannah Carlyle, the Australian jewellery maker and designer based in Adelaide has produced a plethora of resin creations as an associate of JamFactory for the past two or three years. As well as earrings and necklaces made for the Edition X collection which I have previously covered, as an artist, Carlyle has also created resin gelati bowls, brooches, cuff links, bangles, rings as well as beaded necklaces and dangling earrings. There's a great variety of colour, using the mixture of resin layers and colours which gives birth to swirling storms and coaxes spontaneous patterns.

There's a great difference between some of the pieces, the gelati bowls and bangles seem to have very smooth lines and flowing design as well as the flat disc earrings and brooches. However, I think I prefer the more geometric and jagged lines of some of the earrings and necklaces, particularly the necklaces which used the layered pieces of resin as beads. I love the layering affect and swirling of the colours; I didn't even think that resin could be as beautiful as this since I clapped eyes on the Hannah Carlyle collection at Edition X.

These earrings are my second favourite to come from Hannah Carlyle's crafted and guided hand. At the moment though I'm carefully watching some silver earrings featuring cats and other ear wraps featuring dragons. However, compared to the those, earrings by Carlyle are much more artistic and neat compared to the others. Also, there's a more evenly balanced weight distributed along the ear lobe with these sweet dangling resin pieces than an ear wrap. The baby pink and light pastel layers sandwiching the amber coloured clear resin works well.

 
I like this bold resin ring set on a broad band Stirling silver, the swirling colours of the two shades of blue, white as well as thin strips of black makes this piece really unique. I think Carlyle's really taking her craft and work with resin to a whole new level with the intricate details and interplay between the slices of resin in this piece. It may not be all that practical and a little clunky, but if you happen to be sporting a clutch bag all day a ring like this isn't a bad idea to have. Makes your hand look a little more artistic in it's presentation and draws more attention to the bag you'll be holding onto throughout the duration of an event, say like a formal event? That way it wouldn't matter if you set the bag down later on at a table or something.

I'm a little bit intrigued by this particular piece, Hannah Carlyle hasn't previously used a rope as part of the necklace of a piece, this one has a magnetic clasp. The good thing about the magnetic clasp is that there's no unsightly parrot clasp and the piece keeps a minimalist approach to the rest of the design. The layering as well as the swirling effect for this piece is particularly intense. It reminds me of a fire opal with the mixing of red and blue and the swirls of dark and light within each of the layers of those two slabs of resin. The yellow resin slice at the top of the pendant completes this set of primary colours nicely.

Check out the close up detail on these bad boys! With a piece like this you get so much variety in terms of Hannah Carlyle's signature effect, swirling and mixing colours between pieces of resin and all strung on one lovely beaded necklace... Although I personally hate liquorice by seeing this piece I'm sort of reminded of liquorice allsorts, small squares of candy stripes. The beaded resin pieces graduate down from lightest piece to heaviest piece nicely, how sensible.

I like how the red resin pieces have been used as a token gemstone, especially when held in place with a claw of sterling silver. These earrings are cute and I like the teardrop shaped black pieces of resin used on the ends of each earring. It's very reminiscent of art deco design recreated using modern materials with very different techniques. It  works well though, I've always liked the combination of red and black together as reflected in my own personal style.

Charles Wyatt

This Charles Wyatt 'Scaled Pendant' is cast in sterling silver with a whitened finish.
80cm long
The whitened finish is a temporary surface treatment and with wear, the piece will burnish to reveal the sterling silver below.
   

I first discovered some of Charles Wyatt's jewellery when having a good explore of the Edition X jewellery page and I was intrigued bu the shape, the texture as well as the scaling effect on the sea shell pendant. I was never allowed to bathe in the ocean as a child, so my fondest memories of the beach involve searching for treasures of the sea, sea shells of all imaginable colours, shapes and sizes. I don't really care for anything else of the jeweller but I admire the imagination as well as the unique texture of this necklace.

I am a Tasmanian jeweller currently based in Melbourne where I have recently completed a bachelor of Fine Arts (Gold and Silversmithing). I began making jewellery at a young age and have been working in my family’s jewellery business from the age of 12. During this time I have developed a passion for fine craftsmanship and respect for jewellery as an heirloom.
In 2007 I moved to Melbourne to extend my contemporary practice and discover new technologies and working methods .
In my work I am exploring the relationship between man-made structures and biological forms. Forms such as polyhedra, geodesic domes and honeycombs are common throughout the natural and man made world as being the most efficient structural solution for a given situation. In my jewellery and hollowware I explore these forms using both CAD 3D printing technologies, and intuitive hand fabrication techniques to develop beautiful pieces that are lightweight and complex.

I can see the common-ground of all Wyatt's pieces and the imitation and replication of natural structures such as honeycombs of bees recreated in silver mesh, the hexagonal structure created in 3D for earrings in gold but my favourite is the scaled pendant made from Sterling silver and SLS nylon as seen from Charles Wyatt's website and the second photographed necklace.


Hannah Carlyle for Edition X

I adore anything coloured lilac and light purple at the moment so I'm obviously in love with the dainty gemstone shaped earrings from Hannah Carlyle's collection with Edition X. If they weren't too expensive I would leap at the opportunity to snap them up, but until then I must bide my time and wait a little longer before I can splash out on fun geometric jewellery.

I am a great lover and admirer of things geometric and that sort of rough emerald cut look that gemstones can sometimes be gifted. Hannah Carlyle is an Australian maker, designer and emerging jeweller based in Adelaide. She completed her degree of a Bachelor of Visual Arts and Applied Design in 2008 and has been an associate at JamFactory in 2009/10.


JamFactory is a unique not-for-profit organisation in the Adelaide city centre which is supported by the South Australian government. JamFactory supports and promotes artistic designs and craftsmanship through its studios, galleries and shops.
The JamFactory has been working with talented artists, craftspeople and designers to present exhibitions and nurture careers for almost forty years.
Hannah Carlyle currently shares a studio space at JamFactory with two fellow jewellers.

 
Her pieces are like nothing I've ever seen- the mixing and swirling colours of the resin combined with the strong and geometric shapes fit spookily well together.The hand-crafted, swirling and coloured layers of the resin perfected by Carlyle results in unique pieces that are individual and one-of-a-kind. Although the colour scheme may be the same, who really knows what thoughts and feeling from Carlyle may be transferred and transformed into her pieces at their time of creation?
Hannah says: "I coax ‘spontaneous patterns' of colour from the material. I exercise partial control over the miniature swirling storms and coloured layers, unable ever to predict the exact and final outcome."



I like the combination of bright orange, yellow and white- it must be my love affair with candy corn and the jagged emerald cut shape of the resin reminds me of the sweet treat even more! From this piece you can see the variation between the colour and band thickness of some of the colours between one earring and the other. Things that are mass produced by machine have little life to them and there's no magical story behind them whereas with Hannah Carlyle's jewellery you can imagine her sitting and working in her studio space at Jam Factory, industriously slaving to create beautiful gems to become necklaces and earrings. The ripple of the bright orange and yellow of the resin earring pictured on the left is a great feature to the craftsmanship of the pieces and I think I like the pieces with that swirling effect the most.


The straight cut lines of the first earrings pictured (lilac) is also charming and I like that the main colour of the earrings is light purple, my favourite muse at the moment with black and white layers either side.



The combination of red, white and blue (how patriotic) has more of the swirling effect and interplay between the red and white layers. From the photograph of the model you can get a sense of the weight and size of each of the resin gemstone pieces and their bold design. The side profile of the model is quite delicate and pretty but I love the bright colours that seem to shine through and the neat presentation of the model. I think they'd look best on a curator or a very arty librarian; worn by someone who is perceived to have a boring job but leads their own incredible and artistic life when the sun goes down.

I'm continually fascinated and enchanted by the romantic vibes and story-telling that some pieces of jewellery and clothing have to offer and pieces from Hannah Carlyle are no exception.

Hannah Carlyle:
I am currently based in an independent studio within JamFactory.
Hands-on material manipulation is essential to my practice. It is how things are shaped and formed as I’m exploring a variety of methods in working with materials that bring out qualities I feel attracted to.

By exploring processes of manipulation I am trying to capture detail found in the resin, its facets and the reflection of light, continuously looking at the ongoing dialogue between the lines and colours and the textures, shapes and size.

In my subjective investigations, I coax ‘spontaneous patterns of colour’ from the material. I exercise partial control over the miniature swirling storms and coloured layers, unable ever to predict the exact and final outcome.


Hand-pigmented resin Facet Pendant on sterling silver chain by Hannah Carlyle. They remind us of geological rock strata, or a delicious layered cake! In a combination of colours featuring green, white, navy, yellow and turquoise.
The combination of amber, caramel and white all stringed along a bullet chain necklace makes me feel reminiscent of candy corn and melt-in-your-mouth softness. I can only imagine how heavy and large the resin for the necklaces must feel compared to the earrings- hence needing not one, but two strings of necklace to keep them aloft.
I like the simple and skinny grunge necklaces which allow the resin pieces to be the centre of attention of the piece. When mixing with colour like that naturally the best effect would be to not detract attention from the centre piece of the jewellery.
The bright pink in contrast to the red and white resin is dreamy and fantastic. Another weird quirk I'm having lately is the attraction to pink as well as lilac. If you were to wear this stand-out necklace with a little black dress and some brogues; well the top half of the resin necklace in white in contrast with the swirling mixture of pink and red would wow anyone walking past.

vibrance

If you are interested in contacting Carlyle about her resin pieces and fantastic jewels, you can contact her on hannah.carlyle@gmail.com
All of the pieces and more are available here at the online shop
Edition X Jewels.

Cory Child- Edition X


















This long necklace by Cory Child is part of her Wild Roses series. Employing an origami technique with fabric, she has created an beautiful pendant on sterling silver chain evocative of a flower. - Edition X
Handmade with love by Cory Hartono, she started to make her little keepsake treasures and thread them on silver chains in 2010. I've never seen anything like it really, it is unusual to see something like cloth folded in this manner and used as jewellery due to the limited life, staining etc. that is associated with cloth made materials and keepsakes. The flowers are just so sweet though, I adore them. She makes headpieces as well as necklaces for those interested in the races of looking for something with more intrigue and mystique in their life.

















Probably the photograph that made me really interested in this label was the one just above. I loved the combination of the origami necklaces piled one into the other and the contrast of their brightness and colour against a clean, crisp, white shirt. Maybe it's the way the cuffs of the shirt have such texture and compliment the structure and folding of the necklaces. Maybe it's the light sun and the beautiful, carefree smile of the model.

















Available here at Edition X Jewels.

Liesl Pfeffer's Button Badges

Fancy an affordable work of art on a small wearable scale? Why not snap up one of Leisel Pfeffer's badges?! Created from her original collages, these little button badges look great on their own or in a group. Be the curator and collate your own set!- Edition X.

This brand and these badges came to my attention by accidentally stumbling on a website selling jewellery that is more like art for another brand! I'm pretty glad I did, because I'm a fan of this type of design melting together the best of spacey prints as well as jagged linesall combining together to represent the bigger picture.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Liesel Pfeffer has her own webiste and is an artist by trade, I'm really impressed with her website and that she admits (it hasn't always been trendy) to claim to be a 'toy photographer' using cheap plastic body cameras with a plastic lens and 120 format film to deliever incredible dreamy photographs. If a digital camera is a representation of real life and the photographs it captures are of the real and everyday, then plastic cameras and toy cameras are able to become the impressionist camera and created the memory of an event or the impression. It's like trying to write a jorunal entry a week after an event has occured- everything's a little bit different and tweaked and you focus on different aspects unevenly.
 
This is an extract from her website:
"My name is Liesl Pfeffer and I'm a photo-media artist from Melbourne, Australia. I make collages from toy camera photos, vintage fabric and drawings. I also shoot street photography with Polaroid, Holga and Canon Demi cameras.
I have exhibited in solo and curated shows in Australia since 2005. Online I've been featured on Art Milk, Design for Mankind, Modish, Papernstitch, Poppytalk, The Design Files and the Etsy home page treasury. Links to articles are on my PRESS page.
EXHIBITIONS
I currently have new work HEARTS AND ARROWS on exhibition at KINGS ARI in Melbourne until 19 November 2011. For more details have a look at the KINGS website."

Her atwork is captured onto these larbe button badges for you to wear, maybe even promote her? Heck, I might even do it. Anyone who is a toy photographer and is living the dream is someone who I admire. I loved drawing as a child but never honed any skills and culmintaed it into something useful. Also I had crappy art teachers in high school who were away constantly. I admire people who aren't pretentios drop-outs and who actually have unique pieces they want to bring to the world. Art is just so unstable though as a job and I learned to become afraid of it.

Her badges have a natural element about them, she creates mountains, hot air balloons and miniature lakes surrounded by cliffs all in the chopped and cute tradition of new age art. She melts and mixes the colours really well together. I don't know what it is that I like about this type of jagged collage art but there's something well balanced about Liesel Pfeffer's work. She uses photographs she takes herself of the sky and clouds, sunsets, light-leak soaked pictures of pavement and asphalt, as well as landscape photograph. Judging by the better quality of these pieces from her website, she must use her plastic photograph and incorporates them into her artwork! I've never seen toy cameras used in such a way and I'm really jealouse of her ingeniuty and bright ideas. With more pioneers of toy photography using it as part of their artwork, I'd love to see light-leak and dreamy photographs reach higher acclaim. One can only hope.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Turn your shirts into the canvas for Liesel Pfeffer's wonderful work and head on over to Edition X or her website to suss out her imaginative and adorable badges!

Available here at Edition X Jewels.
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