Carrie Ann Inaba wears Nikolaki to the Grammy Awards

Architectural Carrie!
Carrie Ann Inaba in NIKOLAKI Fall 2010, hosting TV Guide Network's Grammys Red Carpet Pre-Show

Late last year, when I did my Emmys Fashion Wrap with Carrie Ann Inaba, she took me aside and said "You know what? I need to wear NIKOLAKI when I host one of my upcoming Red Carpet Shows..." We decided the Grammys would be perfect. The next time I saw her while filming the Golden Globes Fashion Wrap, I brought sketches for her and her stylist extraordinaire, my fellow Fashion Wrap Panelist, Jen Rade, to see. They loved all of them but decided they should stop by my NIKOLAKI Design Studio to take a closer look and "play dress-up". And boy did she: She tried on half a dozen gowns and dresses. But her eyes began "wandering"... She couldn't take her eyes off a muslin/toile sample that we had made for our Fall 2010 line. Couture Muslin: Nick Verreos and Carrie Ann Inaba pose with the muslin/toile of her Grammys dress

She asked "What is that??" We said that it was just a mock-up (in cotton muslin) of one of the dresses in our upcoming line. "I HAVE to try it on!" she quipped. She did and both her and Jen found their dress. Done and done. My design partner, David Paul and I took her measurements and discussed length and any other minor adjustments. Now we just had to make it--custom--in just ONE WEEK!!! The final result: A strapless cocktail dress made with black Italian Silk-and-Wool Zibeline featuring Oragami-like "petal" folds up top and cascading down the bottom.
Hand Delivery: Nick Verreos at the Staples bringing THE dress to Carrie Ann Inaba's trailer for a fitting

These last few days prior to the Awards have been crazy, making trips back-and-forth to the Staples Center--site of the Grammys--for some final fitting last touches and today both David and I were at her hotel room, getting her dressed in our NIKOLAKI dress. We think she looks amazing!
Click below for Carry Ann Inaba (in NIKOLAKI) and Chris Harrison interviewing Taylor Swift at the Grammys 2010:


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Project Runway Season 7 Nick Verreos Recap: Museum Queens

Museum Queens...One Ego is Better Than Two...and a Homeless Statute of Liberty?This week's episode was the dreaded Project Runway "Team Challenge" where two designers are paired up--randomly (or so they say!)--and the producers and fellow Cameramen get some GOOD TV for y'all. For Season 7, the kids headed to the grand Metropolitan Museum of Art where "Couture Curator", Tim Gunn, stood framed by some of the most beautiful Couture garments from the 20th Century from designers like... Balenciaga (1954-55 Cocoon Silk Faille Coat above, a Gift from the Baroness Philippe de Rothschild), as well as... Madame Gres (silk jersey gown above). It would be interesting to have a "Fashion History Test" with the contestants to see how many of them even knew who Madame Gres was. Just sayin'...The Challenge this week was to design a look worthy of a Museum Couture Piece (with $500!) and then (of course there was a twist)-- they later discovered-- they also had to design a "budget H&M-like version (with $50) of another team's design. I know, I was like "Say what?". I'm sure it sounded good in the "pitch meeting" but it lead to a rather confusing episode; too much packed in just an hour episode for the viewer's mental and visual capacity. Of course, there was conflict when it came to the teams, especially with Kooky Ping and Matinee Idol I'm-an-Actor Jesse. He just wanted to do his job and Ping Wu just wanted to be Kooky--and look for her missing shoes! Mila Hermanovski and her partner Jonathan Peters were also an interesting couple. Jonathan--intelligently enough--let her be "The Boss" and boy was she. I would not want to mess with that severe bob either. Not surprisingly, when it finally came to the Runway Show, it was one great garment and one pretty bad outfit.

To begin with, I liked Jesus Estrada and his partner Amy Sarabi's design: You could TOTALLY tell that it was all--or at least mostly-- Amy. That pleated-fan bolero was spectacular and so Amy's style! I also liked Maya Luz' design...
It was edgy, a modern take on Museum-worthy Couture. I concur with Nina Garcia: The open side was very chic. I can see many people saying "I just don't get it...I would never wear that!" But wear-ability was not really the point for this half of the challenge.The winner ended up being Mila's color-blocked kimono coat and skinny pant look which was very 1960s Courreges/Pierre Cardin with a definite nod to Narciso Nodriguez. To be honest, it wasn't my favorite but leave it to Kors and Garcia (Champions of NY-American sportswear and separates) to chose this. But now, onto the messes:This look from Jesse LeNoir, Ping's team "assistant" was so bland, I almost fell asleep as it came down the runway. Cheap "fast fashion" doesn't have to be boring. It was Banana Republic...from 2001! And Jonathan and Mila's design...Based on Anthony Williams' bad ball gown (what was that bustier???).. It was mainly the severe Baby Doll silhouette, and that gathered tulle accent on the halter neckline that bothered me. I just wanted to get my seam-riper and take that black tulle accent off! Jonathan seems to be more talented than this--maybe it was a time restriction. I have been there huney--did you see my crazy design for the Santino-and-Nick Banana Republic Team Challenge? In other words: I understand.

But of course, Ping's "Homage" to a Homeless Statue of Liberty took the Worst Museum Couture Piece this week. As I said previously, I was surprised she wasn't "auf'ed" last week and we were all just counting down the days until her demise. Ping made for great TV but that can only take you so far in a show that is based on talent and craftsmanship--not to mention 10 cameramen and an entire production crew looking over your shoulder. The lace top looked matronly and the side cowl draping was heavy-handed and was neither Museum-worthy or qualified as anything a woman of this Century would want to own. Maybe a character from HBO's "Rome", but even then, she would be the recently-freed Roman Slave--certainly not the Mistress of the house!
Out with Ping...in with the rest...now onto more important matters: When are we going to see Jesse shirtless? Until next time kiddies.

Haute Couture Spring/Summer 2010: Elie Saab and Valentino does Rodarte???

House of Valentino needs to Focus plus Elie Saab Love...
Influenced: Rodarte Spring 2010 and Valentino Haute Couture Spring/Summer 2010
The House of Valentino has gone through a couple of changes since Monsieur Garavani exited. First, they hired Alessandra Facchinetti to design and one Couture Season after, she was unceremoniously fired. Ever since, Maria Grazia Chiuri and Pier Paolo Piccioli, former Accessories designers for Valentino have been at the helm. I have to admit: I think they should have kept Facchinetti-- it was my favorite post-Garavani Valentino Haute Couture Collection. Case in point: For Spring/Summer 2010, Chiuri and Piccioli sent out some beautiful designs, BUT, it was very different from the season before...and the season prior to that....Make up your mind darlings. Are you "Classic Valentino... with a Twist"? Or are you Rodarte?
The color blocking, styling, and punk/apocalyptic make-up was very un-Valentino and more Blade Runner 2010... Can someone PLEASE explain this above? PLEASE??? It should be on a Fashionista test: "For $5,000, can anyone identify the designer of this dress?" I bet that 99.9 % would NOT have said "House of Valentino". That might NOT be a good thing kiddies...
However, there were some moments of "Valentino Clarity": As in this limoncello-colored silk chiffon gown. I would love to see someone wear this gown to the Oscars. Seriously. That actress would certainly be a stand out! (Sans that eye blindfold, of course!).
Valentino Preview Video Haute Couture Spring/Summer 2010


Elie Saab Haute Couture Spring/Summer 2010
Elie Saab
Pastels reigned for Spring 2010 at the Elie Saab Haute Couture show. Saab has been accused of being repetitive in his designs and once again, if you breeze through this 44 look collection it almost looks like you are viewing many of the same gowns over and over again. But Elie Saab knows his client (multi-millionaire Chinese women, Persian Gulf and Eastern Europe DIVAS!) and delivers exactly what she wants. One has to understand that in Haute Couture, if someone orders a dress that costs upwards of $100,000, very often you want to be the ONLY person who owns this one-of-a-kind garment. Therefore, Saab intelligently offers multiple variations on his exquisite creations giving each woman the "Elie Saab Look" but different enough to call her own.The one variation in the collection were two chiffon gowns that were created using a very large floral watercolor print. Although not for everyone, these prints certainly stood out amongst the sea of beaded frocks and looked perfect for a Swedish Princess.

Elie Saab Preview Video
Haute Couture Spring/Summer 2010

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