Showing posts with label Australian Jeweller. Show all posts
Showing posts with label Australian Jeweller. Show all posts

Hannah Carlyle

Hannah Carlyle, the Australian jewellery maker and designer based in Adelaide has produced a plethora of resin creations as an associate of JamFactory for the past two or three years. As well as earrings and necklaces made for the Edition X collection which I have previously covered, as an artist, Carlyle has also created resin gelati bowls, brooches, cuff links, bangles, rings as well as beaded necklaces and dangling earrings. There's a great variety of colour, using the mixture of resin layers and colours which gives birth to swirling storms and coaxes spontaneous patterns.

There's a great difference between some of the pieces, the gelati bowls and bangles seem to have very smooth lines and flowing design as well as the flat disc earrings and brooches. However, I think I prefer the more geometric and jagged lines of some of the earrings and necklaces, particularly the necklaces which used the layered pieces of resin as beads. I love the layering affect and swirling of the colours; I didn't even think that resin could be as beautiful as this since I clapped eyes on the Hannah Carlyle collection at Edition X.

These earrings are my second favourite to come from Hannah Carlyle's crafted and guided hand. At the moment though I'm carefully watching some silver earrings featuring cats and other ear wraps featuring dragons. However, compared to the those, earrings by Carlyle are much more artistic and neat compared to the others. Also, there's a more evenly balanced weight distributed along the ear lobe with these sweet dangling resin pieces than an ear wrap. The baby pink and light pastel layers sandwiching the amber coloured clear resin works well.

 
I like this bold resin ring set on a broad band Stirling silver, the swirling colours of the two shades of blue, white as well as thin strips of black makes this piece really unique. I think Carlyle's really taking her craft and work with resin to a whole new level with the intricate details and interplay between the slices of resin in this piece. It may not be all that practical and a little clunky, but if you happen to be sporting a clutch bag all day a ring like this isn't a bad idea to have. Makes your hand look a little more artistic in it's presentation and draws more attention to the bag you'll be holding onto throughout the duration of an event, say like a formal event? That way it wouldn't matter if you set the bag down later on at a table or something.

I'm a little bit intrigued by this particular piece, Hannah Carlyle hasn't previously used a rope as part of the necklace of a piece, this one has a magnetic clasp. The good thing about the magnetic clasp is that there's no unsightly parrot clasp and the piece keeps a minimalist approach to the rest of the design. The layering as well as the swirling effect for this piece is particularly intense. It reminds me of a fire opal with the mixing of red and blue and the swirls of dark and light within each of the layers of those two slabs of resin. The yellow resin slice at the top of the pendant completes this set of primary colours nicely.

Check out the close up detail on these bad boys! With a piece like this you get so much variety in terms of Hannah Carlyle's signature effect, swirling and mixing colours between pieces of resin and all strung on one lovely beaded necklace... Although I personally hate liquorice by seeing this piece I'm sort of reminded of liquorice allsorts, small squares of candy stripes. The beaded resin pieces graduate down from lightest piece to heaviest piece nicely, how sensible.

I like how the red resin pieces have been used as a token gemstone, especially when held in place with a claw of sterling silver. These earrings are cute and I like the teardrop shaped black pieces of resin used on the ends of each earring. It's very reminiscent of art deco design recreated using modern materials with very different techniques. It  works well though, I've always liked the combination of red and black together as reflected in my own personal style.

Taë Schmeisser


 
My last panic attack (and I mean an actual physical panic attack in which I was curled in the foetal position) came from my mother deciding it was a good time to yell at my for not taking the bins to the curb during a the first night of a three day period in which I had an exam each day. Well maybe I would have had better luck remembering to do my task if I had a cute little reminder around my neck, such as the the necklaces from Taë Schmeisser for Edition X? I like the black wheelie bin with fluorescent green on the inside- that's exactly how my bin smell like... that is if smelly things could be represented with colour. 

 
You could even store little messages for yourself inside the wheelie bin- like a post modern and sort of depressing locket... I really wouldn't read too much into that for meaning or something. You'll only make yourself feel sad.

Take out the trash with Taë Schmeisser's brilliant little 'Trash and Treasure' wheelie bin lockets. Made in sterling silver, they are hand finished with a splash of fluro paint. Hinged lid, rotating wheels, colour: green. 


Charles Wyatt

This Charles Wyatt 'Scaled Pendant' is cast in sterling silver with a whitened finish.
80cm long
The whitened finish is a temporary surface treatment and with wear, the piece will burnish to reveal the sterling silver below.
   

I first discovered some of Charles Wyatt's jewellery when having a good explore of the Edition X jewellery page and I was intrigued bu the shape, the texture as well as the scaling effect on the sea shell pendant. I was never allowed to bathe in the ocean as a child, so my fondest memories of the beach involve searching for treasures of the sea, sea shells of all imaginable colours, shapes and sizes. I don't really care for anything else of the jeweller but I admire the imagination as well as the unique texture of this necklace.

I am a Tasmanian jeweller currently based in Melbourne where I have recently completed a bachelor of Fine Arts (Gold and Silversmithing). I began making jewellery at a young age and have been working in my family’s jewellery business from the age of 12. During this time I have developed a passion for fine craftsmanship and respect for jewellery as an heirloom.
In 2007 I moved to Melbourne to extend my contemporary practice and discover new technologies and working methods .
In my work I am exploring the relationship between man-made structures and biological forms. Forms such as polyhedra, geodesic domes and honeycombs are common throughout the natural and man made world as being the most efficient structural solution for a given situation. In my jewellery and hollowware I explore these forms using both CAD 3D printing technologies, and intuitive hand fabrication techniques to develop beautiful pieces that are lightweight and complex.

I can see the common-ground of all Wyatt's pieces and the imitation and replication of natural structures such as honeycombs of bees recreated in silver mesh, the hexagonal structure created in 3D for earrings in gold but my favourite is the scaled pendant made from Sterling silver and SLS nylon as seen from Charles Wyatt's website and the second photographed necklace.


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